MONOLITH (for jazz orchestra)
BLUES FOR RICHARD DAVIS (for Richard but thinking of Mingus)
AFTER PARTY (Xenakis meets Bootsy Collins)
DEDICATED (beauty)
FULL THROTTLE ORCHESTRA
HOUSE OF ELEGANT (classic Throttle)
POST-INDUSTRIAL FOLK SONG (this is the cut we play for our construction worker fan base)
SMACK (we've played this for several musicologists and none have any clue what to make of it)
SMACK conclusion (more but different)
GRAPE APE MEETS THE WORKING MAN (this is the part of the tune where Grape Ape meets the Working Man)
BOX (this is the one that all the jazz musicians call "bullshit")
MINI PIG 2000 (performed by the California Ear Unit)
STRING QUARTET (drawing from the rhythmic concept of Bartok and Braxton)
BASS CLARINET CONCERTO (for bass clarinet with distortion and delay)
STRING ORCHESTRA (this is the one that Suzanne Somers almost sued me over)
INTONATIONS FOR BEING (with a bit of Smoker's solo)
IN THE CENTER OF THE EARTH, LOOKING FOR MIKE
CENTER OF EARTH...TCHICAI SOLO
ORCHESTRAL WORK
QUARTET W/Tchicai, Smoker, and Altschul
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